
Agloinga is a tribal member of the Native Village White Mountain and a shareholder for Golovin, White Mountain, Sitnasuak, and Bering Strats Natvive corporations. He has maternal roots in northwestern Alaska and paternal roots in Spain, the Philippines and New England. He grew up immersed in Inupiat and Yup’ik cultures. He co-authored the Qawiaraq Iġałuik Inupiat Dictionary, served as a representative on the Alaska Federation of Natives Board and as secretary of his village corporation.
Agloinga has a bachelor’s of art degree in English and degree in secondary education from the University of Alaska Fairbanks, and he continues to be a student of Inupiaq and Spanish.













Currently, she serves as Cultural Strategy Director at the Asian Pacific American Network of
Oregon (APANO). Her eclectic background in cultural change work spans visual art, writing,
astrology, community organizing, and nonprofit arts administration. She co-founded Arts
Workers for Equity, a grassroots collective that advocates for racial equity in Portland’s arts
sector and has worked for numerous arts organizations, including the Portland Art Museum,
Heidi Duckler Dance Theatre, and grassroots public art space Tuesday Night Cafe. Kita
received her BA in Studio Art from Scripps College. In her spare time, she dabbles in dance
and consults as a radical astrologer at www.astroradicals.com.

communities by using the arts as a vehicle for positive change. Prior to serving as executive director,
Lange served as the community development specialist for the arts council and worked for the
University of Wyoming, where he used the arts as a catalyst for co-curricular student development
initiatives. Lange is a trustee for WESTAF (the Western States Arts Federation). His research interests are centered on exploring and creating structures and atmospheres that promote creativity and he is the recipient of the 2017 Northwest College Alumnus of the Year. Lange is also a musician and composer, performing mostly in the jazz idiom. He holds a bachelor’s degree in music and a master’s degree in public administration.

peaches on the Masumoto Family Farm. Since then, she has never missed a harvest. A farmer, artist,
and leader, Masumoto works alongside her father to raise organic peaches, nectarines, and grapes.
She calls herself an “agrarian artist,” cultivating the richness of life in the Central Valley through
farming, food, stories, art, and community. She debuted her one-woman show, What We Could Carry,
about Japanese American Redress hearings in 2011 and co-authored her first book, The Perfect Peach
(Ten Speed Press), with Marcy Masumoto and David Mas Masumoto. Her artistic work currently is focused on Yonsei Memory Project, which she co-founded with Brynn Saito to awaken the archives of Japanese American history through site-specific creative and public pedagogy. Masumoto has a bachelor’s degree in gender and women’s studies from the University of California at Berkeley and a master’s degree in performance as public practice from the University of Texas, Austin.


communities by using the arts as a vehicle for positive change. Prior to serving as executive director,
Lange served as the community development specialist for the arts council and worked for the
University of Wyoming, where he used the arts as a catalyst for co-curricular student development
initiatives. Lange is a trustee for WESTAF (the Western States Arts Federation). His research interests are centered on exploring and creating structures and atmospheres that promote creativity and he is the recipient of the 2017 Northwest College Alumnus of the Year. Lange is also a musician and composer, performing mostly in the jazz idiom. He holds a bachelor’s degree in music and a master’s degree in public administration.


